![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi93VJ_B7Wg9uia2-0LxCScwLhBXGFkqO1E8dCu-wJUVCIlrT44WEZ5-JElyGympj4gjP8wyywsiF0G4WD-qMYKPOBMHGDtRqUHQ-T1qietuzhHmciZJso8wOdb9tXWWMt_hNkK/s400/sepiaGrove.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjrd5mV6kHhIxMIZiEujCi4wR33iz1nvl8WIhkoiFIgnrMYXKPiEqRaGMo1wQmh4JC9bpf0XCE1Ks-TSBBGFFxxpIueRAVPtLzauW2_nQyDZ2h2BCaitQZhXIMucWcQmHAnrdf/s400/sepiaLandscape1wide.jpg)
Sketch book detail of a grove study. Experiments with higgins sepia ink with fountain black ink as well. Dip pen with tinted washes on Ingres paper (Fabriano Classic Artist's Journal). I was taking a look at some of Ruben's pen and ink and wash studies, sometimes with chalk, beyond mind blowing!